Global overflow. Indeterministic global effects flow undetected into and influence local determinism. Click on picture to download transcript of the must-read first four posts of this website.When the global effects of local actions exceed the local effects of local actions, the overflow of global effects contaminates local determinism and disables classical mechanics. To secure theoretical equal opportunity for all, all must learn how to navigate indeterministic locality with the same sense of consciousness and control as all are presently navigating deterministic locality.
If this is the problem, what is the solution?
If the problem is that our local and predictable reality is becoming simultaneously local and predictable and global and unpredictable, we will need to learn how to navigate reality simultaneously as both deterministic (predictable) and unpredictable (indeterministic).
This requires that we access a set of skills we are all born with and already use all the time – unconsciously.
Before the global overflow we could rely on the sensory input of our bodies and our intuitive understanding of cause and effect when making short and long term predictions and implementing strategies of action accordingly.
When there is global overflow, reality becomes indeterminate and starts to behave as probability.
Since reality is fundamentally probabilistic (that which changes is not there) this is not new to us. Mastery of change as absence is a natural, innate and life-preserving instinct of all human beings.
What is new to us is that we have to activate and apply consciously our ability to navigate reality as “probabilities in probability” and subsequently how to find each other and communicate constructively in this state while maintaining a stable position in determinate reality as well.
I have tried to identify some preliminary points of entrance to the complex. I have also designed a basic set of instruments for learning and research (philosophical objects).
My attempts to define the problem and how to solve it is expressed by www.byebyespacetime.com in its totality.
You can see a gamified bootcamp for understanding, entering and living in reality as probability in the form of a card game here: slowmotion UNIVERSE.
Songwriting and electric guitar blues solos have been central tools of my reflective journey into and out of the universe and back again. A reduced catalogue of my songs in both Danish and English are included as methodical documentation.
If you want to help, I will be happy to get you started. Lectures, workshops and courses in spacetime mehcanics can be designed according to your context. Also, you can download all the written materials on the website for free. Note that some materials are in Danish only.
The problem: Global effects overflow. The theoretical and practical solution: 21st century philosophy (spacetime mechanics).
Heide’s constant decides when the equation of change experience replaces classical mechanics.
(This article contains an analysis of the consequences of globalization for the human cognition and an operational strategy for the handling of these)
The equation of change experience (X≠X) = (X=X) formalizes infinite unique probability-driven mixes of non-deterministic change and deterministic standstill as the DNA of all experience. The processing body must be inserted in the equation, concretely or as a virtual representation, for the equation to function according to intention.
Heide’s constant determines when it is necessary to apply the equation of change experience instead of classical mechanics as the basis of a mutually inclusive system of simultaneous measurement and calculation of deterministic local effects and indeterministic global effects entangled.
The constant states:
The equation of change experience replaces classical mechanics when the sum of all global effects of all local actions (B) is larger than the sum of all local effects of all local actions (A).
When the sum of all global effects of all local actions (B) is larger than the sum of all local effects of all local actions (A), the global effects of local actions (B) transforms the experience of deterministic local reality (A) into an experience of a global probability field with both deterministic properties and indeterministic properties disabling the interdependent and exclusively deterministically rooted functionalities of respectively classical mechanics and quantum mechanics. To sustain the objectively determined position of observation required to perform quantum mechanical calculations and measurements, the positioning system of the equation of change (see: map of the world as change) supersedes classical mechanics, hence preserving the functional application of quantum mechanics and our analytical and manipulative access to the fundamental dynamics and properties of nature when the domain of classical mechanics collapses into indeterminism.
Heide’s constant is also – as a kind greeting to the physics concepts and mathematical methods of the 20th century – called “Planck reversed”, because it is installed on a macroscopic threshold somewhat identical to the calculative threshold (as determined by Plank’s constant) between the quantum dynamical micro-universe (B1) and the pre-historic local reality (A1) in which the global effects of local actions (B) did not exceed the local effects of local actions (A).
Note that Heide’s constant, in a radicalized interpretation, can replace Planck’s constant completely, rendering both classical mechanics and quantum mechanics and their respective physical domains functionally superfluous and unify these domains into one universe subject exclusively to the method of measurement of the equation of change experience. This position is investigated thoroughly in “lærebog i rumtidsmekanik” (currently only published in Danish).
The equation of change experience only works as an acting post of objective observation, if the body is inserted into the equation as the paradoxical mutually inclusive function of change and standstill and the body’s position in the equation as a scale of change experience is determined.The philosopher presents his revolutionary constant and the corresponding equation of change experience in the three-dimensional form of two wooden sticks enabling the body to enter the equation: the event horizons of respectively change and standstill defining an infinite scale of potential experiences of mixes of change and standstill. The original whiteboard drawing.
Summary: Imagine that any subjective individual human experience can be reduced to shifting mixes of fluidity and solidity, and that each of us have learned how to translate a specific temporarily locked mix of our individual experience into a position on a scale defined in its two extremes by the event horizons of respectively fluidity and solidity. If this was true and we all had access to a smart phone with an application simulating that scale and we all simultaneously plotted our individual positions on the scale in this app, then the picture of dots on the scale would be the most precise map of the world as change experience it is possible to produce. Learning how to plot our positions as mixes of fluidity and solidity on this scale and learning how to read and understand the combined plots of the scale as it fluctuates in time would be to discover the world as it really is and hence also the beginning of an era in which our understanding of ourselves and our context would be as close to reality as it can get. It would be the beginning of the era of correspondence and consequently also potentially an era of near infinite sustainability.
Conclusion: The questions we ask should be constructed in such a way, that the answers can always be interpreted as a mix of fluidity and solidity also. If human experience of change as density can be reduced to mixes of fluidity and solidity, these mixes are the closest we come to a DNA for the answers that should be the base for the structure of our questions. If the answer of a question can be translated into a mix of fluidity and solidity and hence placed accordingly on a scale defined in its extremes by the event horizons of fluidity and solidity, the question is a true (truth equals infinite sustainability) statement in itself and the answer a confirmation of the property of measurable macroscopic probability as a definition and map of human experience and as such of the world as change.
Preliminary web-based prototype of map of the world as change as computer application. Click on picture to go to app.
If you are using a smartphone, you must 1) open the link, 2) add the application to the homescreen of your phone as a direct link and 3) open the application from the direct link on your homescreen (in its horizontal position) to get the intended funtionality of the prototype.
Preliminary web-based prototype of map of the world as change as phone application. Please read the instructions above before clicking on picture to go to app.
Long term perspective: The equation of change experience is a periodic system with only two basic elements (properties), change (fluidity as property) and stasis (solidity as property), creating in mutually including conjunction all potential versions of reality in the form of experience.
If we learn to ask the questions enabling us to use map of the world as change to create blueprints or stamps corresponding with our experiences of reality, a reverse engineered version of map of the world as change might make it possible for us to to reset our individual or/and collective change experience to any position desired, hence opening up to “travelling” freely in the probability field of everyday life and as such, effectively bringing meaning and weight to the essence and punchline of the work presented on this website: bye-bye spacetime!
Map of the world as change (data illustration type is for demonstrational purposes only). The map is a constantly shifting depiction of the world as a function of fluidity and solidity as expressed by any given number individuals repeatedly plotting their fluctuating experience-reduced-to-fluidity-solidity-mix-positions on the scale of change experience as defined by the equation of change experience: (X ≠ X) = (X = X). The equation is explained in depth here.Click on picture to watch VIDEO: the philosopher’s first introduction to his brand new map of the world (as change) in 2015.
Slowmotion UNIVERSE is a card game mimicking reality as probability.
Important note to be read and then read again when you have familiarized yourself with slowmotion UNIVERSE:
To apply slowmotion Universe as a bootcamp for understanding, entering and living in reality as probability, try always to use the equation (Y – X = Z) when looking for tricks.
The Z-values (even numbers from 2 – 38) of your tricks represent your shifting positions on the infinite scale of the equation of change experience (map of the world as change). As such the Z-values visualize in ultra-extreme slowmotion how your reality (universe) is formed as a probability path.
The probability path as experienced by unconscious instinct slowed down to be analysed and controlled consciously. Click picture to enlarge.Playing slowmotion UNIVERSE qualifies a discussion about global overflow and reality as probability with the intention of empowering players to handle consciously and with intent local indeterminism as a part of the basic human condition in the 21st century. Click picture to enlarge.The scale produced by slowmotion UNIVERSE is a representative interpretation designed for learning purposes. In reality, the intervals between the positions on each side of the most probable outcomes are respectively exponentially rising and falling with a reversely proportionate density/”weight”-ratio equilibration (if there where only one position, P1/P2, in each extreme, the exponentialized system would be balanced). Since humans are bodies first depending on a stable tangible context, the most probable outcome will be dense and “heavy” (mirroring the bodies interpretational capacity) and close to the event horizon of standstill/everything. When transferring data from Slowmotion Universe to map of the world as change, this should be taken into account. When inputting data directly into map of the world of change, this should be implicit and not affect the plotting. The number-graphics on the illustration does not reflect exponentiality 1:1. Click picture to enlarge.
And now: Let’s play!
A game package contains 250 cards:
1 card with general information
9 game rule- and probability field cards
240 playing cards.
To purchase games, get support or book workshops, please write to: contact@slowmotionuniverse.com
A game package contains 250 cards in total.
Game rules:
Players must have minimum skills in subtraction (and/or addition of positive integers). The highest number is 39 and the highest possible result is 38. The lowest number is 1 and the lowest possible result is 2.
Number of players: 2+.
Playtime: 10+ minutes.
Shuffle cards thoroughly before each game and secure random horizontal and vertical positions so that all players, independent of position in relation to cards, experience equal readability of the cards. When shuffling, take into account, that high value Z-cards will have a statistically determined tendency to end in the bottom of the card stacks in a game.
Choose a dealer. The dealer places 16 cards (default amount – modify as you please) face up in a spacey square on a level surface. When playing in small groups, the dealer should participate. When playing in larger groups a designated dealer is an option.
Players identify and cash in tricks by saying ”trick” first. Tricks are placed face down. A trick is a combination of three cards meeting the following equations:
(Y – X = Z),
(Y – Z = X) and
(X + Z = Y).
Three tricks illustrated – but maybe there are …1…2…3… tricks still hiding. Or more? And which trick is the most valuable?
When ever a trick is cashed in the dealer fills up the empty spots. If no tricks are available or visible to any of the players, 16 new cards are placed face up on top of the cards all ready on the level surface. The dealer can always decide to take this action. If the dealer runs out of cards, the open card-stacks on the level surface are collected, shuffled and re-used.
If a player falsely states ”trick”, the player’s latest trick must be re-entered into the dealers card stack.
The winner is the player with the most points when a player cashes in 10 tricks in total (default mode) as the first. Playing time can be reduced by minimizing the number of tricks required to end the game.
(Be aware 9 and 6 are not marked and must be identified by card type: 6 is an even number on a Z-card and that 9 is an uneven number on a X-card)
Points are given according to the following rules:
Z2…Z6, Z34…Z38 = 5 points,
Z8…Z12, Z28…Z32 = 3 points and
Z14…Z26 = 2 points.
Points given are multiplied according to the color-code mixes of the numbers on the face of the cards in a trick:
2 + 1 color x 1
3 colors x 2 and
1 color x 3.
The Z-result of a trick decides the point-value of the trick according to the probability of the Z-value occurring in the trick. The points of a trick is multiplied according to the probability of the 3 different color-code mixes available: 2+1 color, 3 different colors or 1 color.
Slowmotion UNIVERSE can be played on four different levels:
Level 1 (easy): Tricks. The winner is the first player to get 10 (or any other number of) tricks.
Level 2 (medium): Tricks and points: The winner is the first player to get 10 (or any other number of) tricks and the most points according to the point-value of Z-cards only.
Level 3 (advanced): Default play mode. As in the game rules starting on the top of the page. Note that the potential of point-value awareness increases with the number of cards on the table. Try experimenting with a 5 x 5 or 6 x 6 cards lay-out to make the point-system work its magic.
Solo Meditation Level: Play alone. Relax and enjoy identifying potentiality and controlling the speed of the temporary outcomes of the probability-field while simoultaneously expanding your consciousness according to the fundamental principle of your ability to experience as it unfolds in a tempo defined by you.
Probability level: Play to get as close as possible to predefined paths of probability mirroring specific or non-specific real-life events. Play against each other or together.
Slowmotion UNIVERSE is the gamified expression of the functionality of the probability-driven universe reduced to mixes of its two basic elements, change (X≠X)and standstill (X=X), slowed down to a near halt to meet the capacity of the human everyday mind:
The source of slowmotion UNIVERSE.
Slowmotion UNIVERSE was created by Danish philosopher (BA), educational philosopher (MA) and philosophical toolmaker Thomas Heide as an attempted commonly accessible response to the question: How come we experience that which changes as if it is there? As such, the game summarizes and makes available to layman the conclusions of the philosopher’s creative metaphysical investigations and designs as presented on byebyespacetime.com.
Slowmotion UNIVERSE is the tip of a rather large iceberg comprised of the philosopher’s creative metaphysical investigations and designs.
The early game-designs that eventually lead to slowmotion UNIVERSE:
“School of Philosophy” is a board game concept based on the equation of change experience. The game can be printed and played. Click here or on the pictures to download manual including game pieces.“Quantum Mechanic” is a board game concept based on the equation of change experience. The object was produced as unika in plywood, but is infortunately temporarily lost. Click on the picture to download design draft used to create the vector graphis for the lasercutter. Note that the webadress in the design draft is not active.“Ice – Water – Fire”. Stick game based on the equation of change experience. Rough outline of gameplay: The three stick-dice are thrown to determine wich direction your life-piece (LIV 1-5) must take one step. 2-1 decides wether the direction is toward fire or ice. If the dice are all either ice or water, you can turn the event-horizons of respectively fire and water or move two steps in a direction of your own choice. When you collide with an event-horizon you loose. The last LIV in water wins. Rules can at all times be adjusted and developed by the players.A game with no rules…
A must read. Global overflow. The problem. The solution. The bootcamp. Transcript of the first four posts of this website. Recaps, puts in perspective and applies the collected works of the 21st century philosopher. Click on picture to read.Textbook in spacetime mechanics. The application of Thomas Heides philosophy condensed into an academic subject and a practical skill-set: Spacetime mechanics. The book is only in Danish, but some of its core-investigations can also be found in the philosophers English texts. Click on picture to read book.“Spørg” (“Ask”) is a key work in Thomas Heide’s philosophical production. The book is a wild, yet controlled and logically driven investigative linguistic trip into the center of human cognition leading to the central question of Thomas Heide’s position: How come we experience change as if it is standing still? Unfortunately neither the book in its totality nor any of its sections is available in English. Click on picture to read book.The genius-pamplet introduces map of the world as change and a number of related deductions with explanatory graphics. A good place to start reading Thomas Heide. Click on picture to read pamphlet.“The uncertifiable chaos pilot’s university in a book” is the manual to its corresponding philosophical object, the “chaos navigator” (see the post “philosophical objects“). The book is included in the object. Click on picture to read book.In real life “Nothing” measures only 7,5 x 7,5 centimeters. “Nothing” is Thomas Heide’s first serious attempt to present his use of the logic behind the the relationship between the linguistic properties of “nothing”, “something” and “everything”. Click on picture to read book.There are multiple entries to and applications of space time mechanics. In “The path of the lost child” the philosopher mixes spirituality and psychology in a radical analysis of the becoming of the human being. Click on picture to read book.“The source”. Autobiography. From childhood to the emergence of the final version of “the equation of change excperience”. In Danish only. Click on picture to read book.Most of the above texts (excluding “Lærebog i rumtidsmekanik) and more are included in this 1000+ pages collection of texts and pictures from the work of the philosopher. Click on picture to read book.In this version all Danish texts (750 pages) are excluded to offer non-native speakers a collected introduction the philosophy of Thomas Heide. Some of the texts are also presented as stand alone books further up on this webpage. Click on picture to read book.Draft for a theoretical foundation for the calculation of true values (infinite correspondence). In Danish only, Click on picture to read essay.“The pedagogy of the universe – or how uncertainty is observed in everyday life”. Master thesis. Defended orally. Graded A, A revised version of the thesis is included in spørg. In Danish only. Click on picture to read master-thesis.“Change experience as philosophical position”. Paper written for the master degree. A comparison between Thomas Heide‘s, Niels Bohr’s and Lars Henrik Schmidt’s philosophical position, hence legitimizing the studens postulate as academiccaly valid. Graded A. In Danish only.Original flow notes, uncencored. Only in Danish. Click on picture to acces notes.
Portable quantum computer to the people (the space time mechanic’s toolbox).VIDEO: Exhibition of selected objects. Click on picture to watch video.A game with no rules flanked by representations of the philosophers Niels Bohr and Jimi Hendrix. Photo: Rasmus Lond.The building blocks of the universe. Photo: Rasmus Lond.Fluiditiy solidity collider.Fluidity solidity collider. Photo: Rasmus Lond.The dices of Einstein’s god. Photo: Rasmus Lond.Genius bridge.More games with no rules Photo: Rasmus Lond.Menneskebrikken/The human piece (Click picture to read pamphlet in Danish).The nothing-something-everything piece (also “the human piece”). The world’s first hand held consciousness. Photo: Rasmus Lond.Humans on a plane surface in the morning sun.Sales promotion: Handheld consciousnesses and books wrapped in cellophane. Photo: Rasmus Lond.Chaos Navigator. The Chaos Navigator contains: Chaos Compass, Chaos Activator, Super Intelligence Motivator and manual: “The uncertifiable chaospilot’s university in a book”.A universal probability calculator in pocket size. Photo: Rasmus Lond.Consciousnesses in a pile. Photo: Rasmus Lond.Det første objekt: Bevidsthed i en kasse/The first object: Consciousness in a box. Photo: Rasmus Lond.Map of the world as change, large scale exhibition installation. Photo: Rasmus Lond.Workshop edition. Map of the world as change. Five groups can work with small, handheld versions of the map before entering the equation in a full size version fitting human bodies.Map of the world as change (university seed). Folds into the footing to be planted anywhere. Map of the world as change/map of the mind as body.Map of the world as change for table discussion. Map of the world as change in multiple sizes. See the “you are a genius” pamphlet for information and for a supplementary draft for a 30 meter long outdoor installation.The peoples quantum computer. Prototype.The space time mechanic’s tool box (the people’s quantum computer finalized).
You can find texts and chord-progressions for some of the philosopher’s songs by clicking on the picture of the songbook.
In default mode songwriting is the art of expression, of communication. But the process itself can also be understood as controlling and manipulating a limited number of variables (chords, rythm, melodi, application of voice and lyrics). In the latter sense songwriting becomes the philosphers bootcamp for wrestling with, formatting and creating passing structures/sculptures from the potentiality of probability. As such songwriting is both the confirmation of and an instrument of inquiry into the most fundamental aspects of nature.
You can listen to some of the the songs (in danish) the philosopher extracted from empty inifinity right here:
Afrika’s dronning
Altid Alene
Alting ordner sig
Blæse som vinden
Der er langt til Californien
Der skal to til tango
Det Blå
Det ved jeg nu
Det vokser
Du er i mit blod
Du er så smuk
Du kan ikke vide hvad jeg tænker
Du kan møde en pige i al slags vejr
Du må aldrig gå fra mig
Du sir’ du er svag
Floden løber
Flodens stille strøm
Flydet
Gå væk
Hils himlens folk
Hold nu op
Hvis du vidste
Hva’ gør man så?
Hypnotisør
Intet varer evigt
Jeg elsker dig
Kære gud
Kaptajnen
Klovnen
Kys mig
Længe har jeg levet
Lev stærkt, dø ung
Manden uden ansigt
Min engel
Nachista
Næste gang vi mødes
Nazi fascination
Nu er det tid at skilles ad
Nu er forvirringen total
Nu går du bort
Når du sidder på bakken
Når solen går ned
Ørken
Oppe på bjerget
Slange
Sløvt tog
Søvngænger
Stumme barn
Syng den sang
Syyyg
Tag afsted
Ulvens unger
Vintersang
The philosopher writes songs as a practical meditation using a limited number of variables to express the potential abundance of probability.
The philosopher as a student of the language of the electric guitar being examined by the public.
One of the breakthroughs in my cognitive development occurred shortly after I began playing electric guitar and more specifically electric guitar solos at the age of 44 as a intentional self motivating reaction to the intellectually, creatively and emotionally numbing experience of being a student of philosophy at Aarhus University.
While teaching myself how to play, I discovered that Mr. Jimi Hendrix had invented the defining borders of a new independent universe of language with his guitar playing, hence proving it possible to gain access to positions of observation outside the known universe as language and as such providing legitimacy to my experience of being outside of space-time in this sense (see “Spørg” for in depth analysis of the language philosophy of Mr. Jimi Hendrix).
The following is a series of tunes written, performed and recorded at home by me in 2010 as a part of my attempt to find my metaphysical logic using an electric guitar as vehicle.
As an appendix to the home studio recordings I have attached two tunes in which I experiment directly with expressing myself using electric guitar solos (2016) and a live band recording (2015).
PERSONAL REVOLUTION (HOME STUDIO RECORDING)CUT IN STONE (HOME STUDIO RECORDING)NO COMPARISON (HOME STUDIO RECORDING)EMPIRE (HOME STUDIO RECORDING)HOUSE OF THE RISING SUN (HOME STUDIO RECORDING, TEXT AND MELODY: UNKNOWN ORIGIN)SOLDIER BLUES (HOME STUDIO RECORDING)MIGHTY TRAIN (HOME STUDIO RECORDING)SIGNATURE (HOME STUDIO RECORDING)THE THUNDERSTORM (HOME STUDIO RECORDING)HOPPIN’ ALONG (HOME STUDIO RECORDING)I CAN’T EXPRESS MYSELF (HOME STUDIO RECORDING)NO MORE TEARS (HOME STUDIO RECORDING)ROLLING (HOME STUDIO RECORDINGALL I NEED IS YOU (HOME STUDIO RECORDING)BLACK MAGIC (HOME STUDIO RECORDING)SOUL – LEARNING THE LANGUAGE OF MR. JIMI HENDRIX (RECORDED ON A SAMSUNG X3 PHONE IN A REHEARSAL ROOM)BLUES – LEARNING THE LANGUAGE OF MR. JIMI HENDRIX (RECORDED ON A SAMSUNG X3 PHONE IN A REHEARSAL ROOM)
Live recording with the philosophers band Trash Blues Philosophy
The strange original photo released to the press promoting concerts with Trash Blues Philosophy. Click picture or below for live-concert.TRASH BLUES PHILOSOPHY (LIVE RECORDING 2015) A partly different set of my compositions performed live in Aarhus, Denmark i 2015 with Morten Wang on the drums and Jens Noergaard on bass
The a priori… (Photo: Paul Clay)The madness… (Click on picture to enlarge)The insomnia… Slowing down the universe. (Click on picture to go to game)The reintegration… (Click on picture for full résumé)
